A mix of books, journals, films and other resources related to Raj Kapoor. If you know of a source to add, please send it in a bibiographical format (MLA is used here, but others are fine) along with a brief annotation about the resource. 

Aag. Dir. Raj Kapoor. Perfs. Raj Kapoor, Premnath, Kamini Kaushal, Nigar Sultana, Nargis, Shashi Kapoor. Film. RK Films Ltd., 1948.
Aah. Dir. Raja Nawathe. Perfs. Raj Kapoor, Nargis, Vijaylaxmi, Pran. Film. RK Films Ltd., 1953.
Ab Dilli Dur Nahi. Dir. Amar Kumar. Perfs. Romi, Sulochana, Yakub, Anwar, Motilal. Film. RK Films Ltd., 1957.
Abbas, Khwaja Ahmad. I Am Not An Island: An Experiment in Autobiography. New Delhi: Vikas Publishing House Private Limited, 1977.
About Us - Aditya Chopra. Yash Raj Films.  
About Us - Aditya Speaks Out. Yash Raj Films.  
<http://www.yashrajfilms.com/AboutUs/YRFTeam.aspx?SectionCode=PRO003ai11, 2, 3>
About Us - Yash Chopra. Yash Raj Films. 
About Us - Yash Chopra Biography. Yash Raj Films.  
<http://www.yashrajfilms.com/AboutUs/YRFTeam.aspx?SectionCode=PRO003B IO1, 2>
About Us - Yash filmography. Yash Raj Films.  
<http://www.yashrajfilms.com/AboutUs/YRFTeam.aspx?SectionCode=PRO003F ILM>
About Us - Yash awards. Yash Raj Films.  
<http://www.yashrajfilms.com/AboutUs/YRFTeam.aspx?SectionCode=PRO003 AW1>
About Us page. Yash Raj Films.
Ahmed, Akbar S. “Bombay Films: The Cinema as Metaphor for Indian Society and
Politics.” Modern Asian Studies, 26.2 (May 1992): pp. 289-320. Ahmed, Akbar S. “Bombay Films: The Cinema as Metaphor for Indian Society and Politics.” Modern Asian Studies, 26.2 (May 1992): pp. 289-320.
Anantharaman, Ganesh. Bollywood Melodies. New Delhi: Penguin Books, 2008.
Arnold, Alison. “Aspects of Production and Consumption in the Popular Hindi Film Song Industry.” Asian Music,  24.1 (Autumn 1992 – Winter 1993): pp 122-136.
---. “Popular Film Song in India: A Case of Mass-Market Musical Eclecticism.” Popular Music. 7. 2 The South Asia/West Crossover (May 1988): pp. 177-188.
Awara. Dir. Raj Kapoor. Perfs. Raj Kapoor, Pritviraj Kapoor, Nargis, Shashi Kapoor, Cuckoo, K. N. Singh. Film. RK Films Ltd., 1951.
Aiyar, Pallavi. “Bollywood’s China link.” The Hindu (Magazine). 19 March 2006. <http://www.hindu.com/mag/2006/03/19/stories/2006031900270500.htm >
Banerjee, Shampa. Profiles: Five Film-makers from India. New Delhi: National Film Heritage, 1985.
Barsaat. Dir. Raj Kapoor. Perfs. Raj Kapoor, Nargis, Premnath, Nimmi, Cuckoo, K. N. Singh. Film. RK Films Ltd., 1949.
Benegal, Shyam.  Personal Conversation. Mumbai, India. 15 May 2008.
Berry, Martha J. The Legacy and Continued Impact of Raj Kapoor on the Society and Film Industry of India and Beyond. Unpublished Master's Thesis. The University of Texas at Austin, 2008.
Biswas, Ranjita. “India, Kapu, Kapu.” Hindustan Times. 1 November 2005.
Biwi-O-Biwi. Dir. Rahul Rawail. Perfs. Randhir Kapoor, Sanjeev Kumar, Poonam Dhillon. Film. RK Films Ltd., 1981.
Bobby. Dir. Raj Kapoor. Perfs. Rishi Kapoor, Dimple Kapadia, Premnath. Film. RK Films Ltd., 1973.
Boot Polish. Dir. Prakash Arora. Perfs. Baby Naaz, Ratan kumar, David. Film. RK Films Ltd., 1954.
Booth, Gregory D. “Traditional Content and Narrative Structure in the Hindi Commercial Cinema.” Asian Folklore Studies, 54.2 (1995): pp. 169-190.
Bradeanu, Adina and Rosie Thomas. “Indian Summer, Romanian Winter: A ‘Procession of Memories’ in Post-Communist Romania.” South Asian Popular Culture. 4.2 (October 2006): pp.141-146.
Chakravarty, Sumitra S. National Identity in Indian Popular Cinema. Oxford: OUP, 1998.
Chatterjee, Gayatri. Awara. New Delhi: Wiley Eastern Limited, 1992.
Chaubal, Devyani. “The RK Woman.” Star and Style. 16-29 August 1985. pp 20-26.
Das Gupta, Chidananda. “Indian Cinema Today.” Film Quarterly. 22. 4 (Summer 1969): pp. 27-35.
Desai, Jigna. Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. New York: Routledge, 2004.
Dharam Karam. Dir. Randhir Kapoor. Perfs. Raj Kapoor, Randhir Kapoor, Premnath, Rekha, Dara Singh. Film. RK Films Ltd., 1975.
Dissanayake, Wimal and Malti Sahai. Raj Kapoor's Films Harmony of Discourses. New Delhi: Vikas Publishing House, 1988.
Farrell, Gerry. "The Early Days of the Gramaphone Industry in India: Historical, Social and Musical Perspectives." British Journal of Ethnomusicology. 2 (1993): pp.31-53.
Ganti, Tejaswini. Bollywood: A Guidebook to Popular Hindi Cinema. New York: Routledge, 2004.
George, TSJ. The Life and Times of Nargis. Chennai: East West Books Pvt. Ltd., 2007.
Gokulsing, K. Moti and Wimal Dissanayake. Indian Popular Cinema: A Narrative of Cultural Change. Staffordshire: Trentham Books, 1998.
---. Indian Popular Cinema: A Narrative of Cultural Change (New Revised Edition). Staffordshire: Trentham Books, 2004.
Gulzar, Govind Nilhani, and Saibal Chatterjee, eds. Encyclopaedia of Hindi Cinema. New Delhi: Encyclopaedia Britannica (India) Pvt. Ltd., 2003.
Gusman, Mikhail. “PM’s interview to ITAR TASS (Russian News Channel).” 2 December 2002 <http://meaindia.nic.in/interview/2002/12/02i01.htm>
Henna. Dir. Randhir Kapoor. Perfs. Rishi Kapoor, Zaba Bakhtiar. Film. RK Films Ltd., 1991.
Indo-Asian News Service. “Russian, Indian Intelligensia Rue Poor Information Sharing.” Hindustan Times. 12 August 2008.
“Indo-Russia Trade And Cultural Ties Must Speed Up.” Financial Express. 20 August 2008.
Iordanova, Dina, et al. “Indian Cinema’s Global Reach: Historiography through Testimonies.” South Asian Popular Culture 4. 2 (October 2006):  pp.113-140.
Iyengar, Niranjan. The Making of Kabhi Khushi Kabhie Gham. Mumbai: Dharma Productions, 2001.
Iyer, Meena. “RK to RK, the show goes on.” Times of India. 4 November 2007. <http://timesofindia.indiatimes.com/articleshow/msid-2515921,prtpage-1.cms>
Jagte Raho. Dirs. Amit and Sonbhu Mitra. Perfs. Raj Kapoor, Pradeep Kumar, Nargis. Film. RK Films Ltd., 1956.
Jaikumar, Priya. Cinema at the End of Empire: A Politics of Transition in Britain and India. Durham: Duke UP, 2006. 
Jain, Madhu. “Dynasty’s Child.” India Today. 21 April 2008: 132.
---. The Kapoors: The First Family of Indian Cinema. New Delhi: Viking, 2005.
Jha, Subash K. “The good things about ‘bad’ Saawariya.” Times of India. 30 November 2007.<http://timesofindia.indiatimes.com/India_Buzz/ The_good_things_about_bad_Saawariya/articleshow/2581639.cms >
Jis Desh Men Ganga Behti Hai. Dir. Radhu Karmakar. Perfs. Raj Kapoor, Padmini, Pran, Lalita Pawar. Film. RK Films Ltd., 1960.
Joshi, G. N. “A Concise History of the Phonograph Industry in India.” Popular Music 7. 2 The South Asia/West Crossover (May 1988): pp. 147-156.
Kabir, Nasreen Munni. Bollywood: The Indian Cinema Story. London: Channel 4 Books, 2001.
Kak, Siddharth, Personal Conversation. Mumbai, India. 15 May 2008.
Kal Aaj Aur Kal. Dir. Randhir Kapoor. Perfs. Raj Kapoor, Pritviraj Kapoor, Randhir Kapoor, Babita. Film. RK Films Ltd., 1971.
Kapoor, Randhir. Personal Conversation.  Mumbai, India. 22 April 2008.
Kashani, Sarwar. “To Raj Kapoor with Love From Kazakhstan.” Hindustan Times. 21 October 2008.
Katyal, Anita. “PM Woos Russian Businessmen.” The Tribune Online Edition. 6 December 2005. <http://www.tribuneindia.com/2005/20051206/main1.htm>
Kaul, Gautma. Cinema and the Indian Freedom Struggle. New Delhi: Sterling Publishers Pvt. LTD., 1998.
Khan, Rubina A. “My Father’s a Natural Actor: Ranbir.” Times of India. 2 October 2007. <http://www1.timesofindia.indiatimes.com/articleshow/2419852.cms>
Khubchandani, Lata. Raj Kapoor: The Great Showman. New Delhi: Rupa & Co., 2003.
Lutgendorf, Philip. The Life of a Text: Performing the Ramcaritmanas of Tulsidas. Berkeley: University of California Press, 1991.
Mahasweta Devi. Wikipedia.org. <http://en.wikipedia.org/wiki/Mahasweta_Devi>
Manuel, Peter. “Popular Music in India: 1901-86.” Popular Music. 7.2 The South Asia/West Crossover (May, 1988): pp. 157-176.
Mehta, Ashok K. “Pantloon Uzbekistani.” OutlookIndia.com. 16 July 2007. <http://www.outlookindia.com/doary.asp#>
Mehta, Suketu. “Bollywood Confidential.” New York Times. 14 November 2004. SM60.
Mera Naam Joker. Dir. Raj Kapoor. Perfs. Raj Kapoor, Rishi Kapoor, Simi Garewal, Kseina Rabinkina, Padmini, Dharmendra, Manoj Kumar. Film. RK Films Ltd., 1970.
Mirza, Saeed Akhtar. “Outlook for the Cinema.” Social Scientist. 8.5/6 Marxism and Aesthetics (December 1979-January 1980): pp. 121-125.
Mishra, Vijay. Bollywood Cinema: Temples of Desire. Routledge: New York, 2002.
Nanda, Ritu. Raj Kapoor Speaks. New Delhi: Viking, 2002.
Pollock, Sheldon. “Literary History, Indian History, World History.” Social Scientist 23.10/12 (Oct.-Dec. 1995): pp. 112-142.
Prasad, M. Madhava. Ideology of the Hindi film: A Historical Construction. Oxford: OUP, 1998.
Prem Rog. Dir. Raj Kapoor. Perfs. Rishi Kapoor, Padmini Kolhapure. Film. RK Films Ltd., 1982.
Rab Ne Bana Di Jodi main page. Yash Raj Films. <http://www.yashrajfilms.com/microsites/rnbdjmicro/fullpage.html>
Raghavan, Sriram. Personal Conversation. Mumbai, India 14 May 2008.
“Raj Kapoor made a mark in China too: Ambika.” Hindustan Times. 26 August 2008.
 Raj, Pankaj. “The Theme of Social and Political Consciousness as a Challenge for Indian Recorded Music.” Social Scientist 32.11/12 (Nov-Dec 2004): pp. 84-93.
Rajadhyaksha, Ashish and Paul Willemen. Encyclopaedia of Indian Cinema (New revised Edition). Oxford: OUP, 1999.
Rajagopalan, Sudha. Emblematic of the Thaw: Early Indian Films in Soviet Cinemas. South Asian Popular Culture 4.2 (October 2006): pp.83-100.
Ram Teri Ganga Maili. Dir. Raj Kapoor. Perfs. Rajiv Kapoor, Mandakini. Film. RK Films Ltd., 1985.
Ranade, Ashok Da. Hindi Film Song: Music Beyond Boundaries. New Delhi: Promilla & Co., 2006.
Ray, Satyajit. Our Films Their Films. Hydrabad: Orient Longman, 1976.
Reuben, Bunny. Raj Kapoor The Fabulous Showman. New Delhi: Virgo Books, 1988. (paperback) New Delhi: Indus, 1995.
Richman, Farley. "The Political Role of Theatre in India." Educational Theatre Journal. 25.3  (Oct. 1973): pp. 318-334.
Rushdie, Salman. The Satanic Verses. The Satanic Verses. London: Viking, 1988.
“Russia to remain privileged partner in defence: India.” Zee News. 1 September 2006. <http://www.zeenews.com/print_articles.asp?aod=319503&sid=NAT&ssid=>
Sangam. Dir. Raj Kapoor. Perfs. Raj Kapoor, Vyjayanthimala, Rajendra Kumar. Film. RK Films Ltd., 1964.
Sanghvi, Vir “Raj Kapoor’s Biggest Gamble,” India Today. 1-15 Nov 1977.
Satyam Shivam Sundaram. Dir. Raj Kapoor. Perfs. Shashi Kapoor, Zeenat Aman, Padmini Kolhapure. Film. RK Films Ltd., 1978.
Schulze, Brigitte. Humanist and Emotional Beginnings of a Nationalist Indian Cinema in Bombay: With Kracauer in the Footsteps of Phalke. Berlin: Avinus, 2003.
Seth, Vikram. From Heaven Lake: Travels Through Sinkiang and Tibet. New York: Random House, Inc., 1987.
"Shah Rukh Khan." Bollywood Blitz. 25 April 2006 <http://www.bollywoodblitz.com/stars/SRK/biography.shtm>.
Shree 420. Dir. Raj Kapoor. Perfs. Raj Kapoor, Nargis, Nadira, Lalita Pawar. Film. RK Films Ltd., 1955.
Singh, B. P. “North-East India: Demography, Culture and Identity Crisis.” Modern Asian Studies 21. 2 (1987): pp. 257-282.
Singh, Khushwant. “We Sell Them Dreams.” New York Times. 31 October 1976. SM42.
Skillman, Teri. “The Bombay Hindi Film Song Genre: A Historical Survey.” Yearbook for Traditional Music 18 (1986): pp. 133-144.
Sony Millennium Tribute Concert. Perfs. Shah Rukh Khan, Nitin MukJuhi Chawla. Sony/ Indian Sun (Distributer for Canada), 2000.
Stein, Elliott. “Raj Kapoor – The Showman Auteur of Indian Cinema.” From National Film Archives of India, Pune. 1985. In Raj Kapoor article file.
Thakur, Atul. “Dynasties scorch Silver Screen: Like Bollywood, Hollywood too has Generations of Star Families.” The Times of India. 13 November 2007. pp 7.
Vasudevan, Ravi, ed. Making Meaning in Indian Cinema. Oxford: OUP, 2000.
Vembu, Venkatesan. “India Soft Power Sways China.” DNA World. 11 November 2006. <http://www.dnaindia.com/report.asp?NewsID=1063542>
Vijayakar, Rajiv. “ Masters of Melody: Remembering Shanker-Jaikishen.” Reddiff.com. 12 September 2001. <www.reddiff.com/entertai/2001/sep/12shank.htm>
Virdi, Jyotika. The Cinematic ImaginNation: Indian Popular Films as Social History. New Brunswick: Rutgers UP, 2003.

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